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Critics
Critics

 

"I must emphasize in particular the magnificent vocal performance of Alexandra Bernardo (Donna Anna) and the global perfect performance of José Corvelo (Leporello)" (José Antonio Miranda in http://fanaticosdaopera.blogspot.pt/2015/03/don-giovanni-teatro- thalia-lisboa.html - Don Giovanni (Leporello), Thalia Theatre - Lisbon, March 7, 2015.

 

. “(…) a positive remark should also go to Chelsey Schill (Spokeswoman, soprano), Nuno Dias (A.G. President, bass), José Lourenço (Magistrate, tenor), Ana Ferro (Doctor, soprano), José Corvelo (Lawyer, baritone) (…) “ ( Teatro Nacional de São Carlos, March 20, 2011. Manuel Pedro Ferreira in: http://www.mic.pt/critic/eng/20110321_banksters.html

 

. “I regret that Jose Corvelo had a minor role in the opera because I think it would have raised the vocal quality of the performance.” ( Banksters, Teatro Nacional de São Carlos, March 20, 2011. http://fanaticosdaopera.blogspot.pt/2011/03/banksters-teatro-nacional-de-sao-carlos.html )

 

● “The singers varied between the correct and the admirable, noting especially the excellent interpretations of José Corvelo as Figaro, Lara Martins as Susanna and Teresa Gardner as the Countess.” (Jornal Público – Manuel Pedro Ferreira, Le Nozze di Figaro, Teatro da Trindade, Setembro de 2006).

 

● “In vocal terms Corvelo (Figaro) and Redondo (Count) were very secure, - being also the liveliest singers of the cast.” (Jornal Diário de Notícias – Bernardo Mariano, Le Nozze di Figaro, Teatro da Trindade, Setembro de 2006).

 

 ● “Homogeneous, well composed and prepared were the rest of the cast around Theodossiou: Annamaria Dell’Oste..., Stefano Secco..., Carlo Cigni, as well as Nidia Palácios, Ana Ferraz, Oriana Kurteshi and José Corvelo” ( Prometheus - Floriana Tessttore, Medea, TNSC, www.rivistaprometheus.it , anno IV.N. 97 – lunedì 14 febbraio 2005)

 

● “Carlo Cigni, Nidia Palácios, Ana Ferraz and José Corvelo were very good in their respective roles” (Público – Teresa Cascudo, Medea, TNSC, Janeiro de 2005).

 

● “...the dramatico-musical situation was there, and one should fail to mention the interpretations of Juliana Mauger and José Corvelo” (Público – Augusto M. Seabra, The Bear, Centro de Artes Modernas da Fundação Calouste Gulbenkian, Lisboa, Outubro de 2004);


● “It was no less agreeable to hear once again the interpretations of our fellow countryman José Corvelo, with all the quality for which he is extremely well-known, accompanied by the aforementioned orchestra (OSJ)” (O Monchique – Concerto com a Orq.Sinf.Juvenil, 30 de Setembro de 2004).

 

●“...the baritone José Corvelo and the accordion player Pedro Santos who offered their talents to an attentive audience, which suitably filled the available space completely, interpreting music of Vivaldi, Mozart, Piazzola, Gardel, Rossini and Di Capua, and receiving fully deserved applause for the most beautiful performance. (...)…they turned the evening into a true musical feast, only interrupted by the constant applause they both received from all present.” (O Monchique – Recital do dia Mundial da Música 1 de Outubro de 2005, Museu das Flores - 30 de Outubro de 2004).

 

 ● “Simplicity and assurance which were to be found in wide range of performers (...), from the Opera Studio, and those more experienced – Luís Rodrigues, Mário Redondo and José Corvelo” (Público – Augusto M. Seabra, A Raposinha Matreira, Rivoli Teatro, Porto, Julho de 2004);

 

● “Catherine Rey and José Corvelo were an effective pair...” (Expresso – Teresa Castanheira; Os Fugitivos, Teatro da Trindade, Lisboa, Março de 2004);

 

● “Both the soprano Angélica Neto and the baritone José Corvelo brought their roles to life in an expressive and enjoyable way.” (Expresso – Luciana Leiderfarb; A Floresta, Teatro S.Luíz);

 

● “The Dwarf (José Corvelo) and the Wise Man blended voice and character very well…” (Diário de Notícias – Bernardo Mariano; A Floresta, co-produção TNSC/Teatro S.Luíz, Lisboa, Fevereiro de 2004);

 

● “…José Corvelo was perfect in the characterization of the gardener” (Diário de Notícias – Bernardo Mariano; Le Nozze di Figaro, Coliseu do Porto, Antonio);

 

 ● “José Corvelo promises to be an important and significant element in the Portuguese operatic field....I have already heard him several times here to very good advantage”. (Comentários à transmissão directa da Antena 2 – Maestro Mário Mateus; Le Nozze di Figaro, Coliseu do Porto, Maio de 2002, Antonio)

 

● “It is dificult to be as good in a small role as was José Corvelo” (Jornal de Notícias – Maestro José Atalaya; La Bohème, Coliseu do Porto, Junho de 2000, Benoit e Alcindoro);